REDISCOVERING BAROQUE MUSIC
We are a chamber music ensemble specialising in the recovery of the European instrumental repertoire of the early 18th century. Our work is driven by our inquiring minds and the constant need to grasp the essence of Historically Informed Performance practice. We seek to give life to completely unknown works and rediscover the forgotten musical language of the Baroque period. It is a language which breaks with the established music tradition, a language which gives a new lease of life to each musical act. An ever-changing speech – fresh, yet emerging from a deep understanding of the past and inviting the Audience to experience music in a new way. Rooted in the art of persuasion, rhetorical music the way we deliver it is there to teach, move and delight.
Scaramuccia was founded on the initiative of the violinist and musicologist Javier Lupiáñez. It debuted at the fringes of Bruges and Utrecht festivals in the summer of 2013 and met with a very positive reception from the audiences and organizers. Since then, the ensemble has gained reputation within the European Early Music scene, being its musical speech praised for its sincerity combined with an intellectual approach. Among other festivals and venues, Scaramuccia has performed at Internationaal Kamermuziek Festival Utrecht – Janine Jansen and Friends, Kasteelconcerten and Musica Antica da Camera (The Netherlands), Fora do Lugar, Encontros de Música Antiga de Loulé Francisco Rosado and Sente a História (Portugal), Festival Internacional de Arte Sacro de Madrid, Teatro Kursaal de Melilla, and Ciclo de Música Antigua de Cambados (Spain), Museum Vleeshuis and Philarmonie de Namur (Belgium), Maldon Festival of Arts (United Kingdom), Seviqc Brezice Festival (Slovenia), Lednice|Valtice Music Festival (Czech Republic), as well as Festival Echi Lontani (Italy).
In its zeal to discover new music, Scaramuccia had the privilege of being the first ensemble to have attributed the RV 820 and the RV 205/2 to Vivaldi and performing both pieces as a world première in an interview and a live concert broadcast in the programme De Musyck Kamer of the Dutch radio station Concertzender in the summer of 2014. These works, together with other lately-discovered pieces by Vivaldi for violin and basso continuo, were recorded for Ayros in 2015 as part of the ensemble’s first album.
Scaramuccia was awarded the Audience Prize in the Göttinger Reihe Historischer Musik 2015/2016 competition.
The ensemble is currently working on The Cabinet II Project, which will take the Listeners on a journey to Dresden, following the footsteps of the great Konzertmeister Johann Georg Pisendel and rediscovering his manuscripts preserved in Schrank II. The project includes a broad range of elements, such as unearthing the musical works, live performances, publishing sheet music and musicological texts as well as CD recordings.
1717. Memories of a Journey to Italy, released in 2018, is the second disc of the ensemble. It has been acclaimed by reviewers all over Europe and nominated for the 2019 ICMA Awards. Their latest album, Pisendel. Neue Sonaten, was released in December 2020 and has got six nominations for the 2021 Opus Klassik awards edition and one for the 2022 ICMA Awards. Both albums were launched with the ensemble’s own recording label: Snakewood Editions.
5/5 ⭐⭐⭐⭐⭐ Brian Clark, Early Music Review
5/5 ⭐⭐⭐⭐⭐ “Discos Recomendados” Ángel Villagrasa, Melómano
“Fascinating CD”… “They are technically outstanding and balanced with rare sensitivity” Brian Robins, Early Music Review
“The performances are consistently persuasive and full of flair and sensitivity.”
Jonathan Woolf , Musicweb
“This disc is not just one of many. This is a major addition to the Vivaldi discography.” […] This disc is a model of sincere and intelligent music-making.” Johan van Veen. Musica Dei donum
ICMA awards 2022 nomination as best premiere.
6 Opus Klassik 2021 nominations: best premiere, best ensemble, best instrumentalist, best young artist, best chamber music recording, best production.
Our concert programmes are well designed in terms of the choice of repertoire; we also take great care of the historical and rhetorical aspects of the music we perform.
Presentation of the pieces and interaction with the Audience are crucial for us. We want the Listener to listen actively in order to become part of the Musical Act itself. We understand the performance as a journey through emotions, entailing everything from the first to the last note.Read More
The aim of Scaramuccia is to rediscover unknown music from the past, which definitely deserves it. We are conducting thorough research and planning new, exciting projects, which will need financial support. You can become part of all of this through making a contribution. Regardless how big or small, it will be greatly appreciated!Read More