1717. Memories of a Journey to Italy
Each piece of our CD 1717. Memories of a Journey to Italy is part of a personal and musical journey. Each piece has a small or great story behind it and tells us not only the musical experiences of Pisendel along his trip through Italy, but these works hide the personal stories that Pisendel forged during this journey.
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The manuscript of the Sonata for violin and continuo in A Major, “La Montanari”, by Valentini is a fine example of a musical dedication to his much-admired Antonio Montanari. The manuscript was carefully copied, probably by Valentini himself. The manuscript includes a beautiful dedication on the cover:
“La Montanari | Sonata per Camera a | Violino Solo | dedicata al merito impareggiabile del | Sig:re Antonio Montanari | Insigne Sonator di Violino, | Da un suo divoto Servo ammiratore | della sua Virtù”.
[La Montanari. Chamber Sonata for Solo Violin, dedicated to the incomparable merit of Signor Antonio Montanari, distinguished player of the violin, by a devoted servant who admires his skill.]
But this was not the only praise offered by Valentini to Montanari. A few years earlier, in 1707 in Rome, Valentini published a series of sonatas entitled Villeggiature Armoniche, Op. 5; the ninth also bears the title “La Montanari”.
And in 1708, Valentini, who was also a poet, published his Rime containing poems dedicated to Corelli, Bononcini to Montanari. The one to Montanari reads:
|Al Signore Antonio Montanari eccellente Sonatore di Violino
Quella, Antonio, sì vaga
voce che doni al cóncavo tuo legno
rapisce ogn´alma ed ogni core impiaga,
e con l´industre ingegno,
nuovo Achille sonoro
con l´istessa armonía sani ogni piaga;
onde quando t´ascolto
non so s´io peni in Paradiso accolto,
so ben con mio ristoro[.]
Da quelle corde d´oro
tanta dolcezza la tua man disserra,
che per te gode il Cielo anco la Terra.
To Mr Antonio Montanari Excellent violin player
It seems clear the admiration that Valentini felt towards Montanari. “La Montanari” sonata is a valuable example of this admiration.
How is it possible that the Sonata for violin and continuo in A Major, “La Montanari” ended up in the hands of a very young Pisendel soon to be composed? In addition, the score that Pisendel took to Dresden was not a copy, as many others,it was the autograph manuscript that Valentini dedicated to Montanari…
Considering its musical and sentimental value, such a manuscript should surely have remained in the possession of its dedicatee and we can only hypothesise as to how it ended up in Pisendel’s baggage. Perhaps it was a gift from both composers to the young German violinist. If so, it would have been a gift of immense musical and personal value.
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